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An Interview With Christian Van Horn
Interview Violette Leonard Interview Violette Leonard

An Interview With Christian Van Horn

Twelve years on from his debut at the Met Opera, bass-baritone Christian Van Horn has made a name for himself as opera’s definitive Devil. Last September, for his fourth performance in Live in HD, he scored another success as not one but all four Villains in Offenbach’s Les Contes d’Hoffmann. He kindly spoke to me about his podcast, his upcoming album (shh!), and winning his first Girl of the Golden Met Award. Read on!

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Met Opera 2024-25 Review: Le Nozze di Figaro
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Le Nozze di Figaro

I have about seven favorite operas, but when pressed to choose one, Le Nozze di Figaro often lands on top. It’s an exquisite confection in every respect, and the Met’s delicious revival this season didn’t skimp on the frosting.

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An Interview With Stephen Costello
Interview Violette Leonard Interview Violette Leonard

An Interview With Stephen Costello

Stephen Costello has been a beloved mainstay at the Met ever since his 2007 debut. 15 years after originating Greenhorn in Jake Heggie's Moby-Dick, he triumphantly returned to the role when Moby-Dick made its Met debut in March. He generously spoke with me in between performances about Moby-Dick, how the trumpet influenced his singing, and what opera shares with Cirque du Soleil. Enjoy!

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Met Opera 2024-25 Review: Moby-Dick
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Moby-Dick

The vast sea breathes in gentle, rhythmic swells. Stars, twinkling aloud, wheel overhead, constellating until they form the mast, sails, and ropes of the whaling ship Pequod. This is the seascape that greets you in the overture of Jake Heggie’s monumental Moby-Dick.

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Highlights of the Met’s 2025-26 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2025-26 Season

The Met’s opening night world premiere is one of only three new operas, marking a departure from the six new operas presented only two seasons ago, and bel canto explodes back onto the stage. I couldn’t choose only five operas to explore here, so we’re expanding to six for this year only.

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