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Met Opera 2024-25 Review: Moby-Dick
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Moby-Dick

The vast sea breathes in gentle, rhythmic swells. Stars, twinkling aloud, wheel overhead, constellating until they form the mast, sails, and ropes of the whaling ship Pequod. This is the seascape that greets you in the overture of Jake Heggie’s monumental Moby-Dick.

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Highlights of the Met’s 2025-26 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2025-26 Season

The Met’s opening night world premiere is one of only three new operas, marking a departure from the six new operas presented only two seasons ago, and bel canto explodes back onto the stage. I couldn’t choose only five operas to explore here, so we’re expanding to six for this year only.

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Opera Is Cool: Debunking Myths
Violette Leonard Violette Leonard

Opera Is Cool: Debunking Myths

Let’s face it: opera has gotten a bad rap. In reality, opera is one of the most glorious art forms in the world. Come debunk some myths with me! (Hint: it involves Beyoncé.)

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Highlights of the Met’s 2024-25 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2024-25 Season

On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.

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His Journey: An Interview With Jake Heggie
Violette Leonard Violette Leonard

His Journey: An Interview With Jake Heggie

All in all, 2023 is turning out to be quite the Year of Jake Heggie, the acclaimed classical composer. He told me (and now you!) all about his journey to classical, Dead Man Walking, why he’s drawn to write for mezzo-sopranos, and more! Read on.

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