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Met Opera 2024-25 Review: Les Contes d’Hoffmann
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Met Opera 2024-25 Review: Les Contes d’Hoffmann

Jacques Offenbach‘s Les Contes d’Hoffmann is opera’s equivalent of The Tortured Poets Department, only 14,592 times better. The music brims with kaleidoscopic vibrancy and the story of Hoffmann’s three loves is delightful, though dizzyingly strange at times. 

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Recital Review: Erin Morley at the Yale School of Music
Violette Leonard Violette Leonard

Recital Review: Erin Morley at the Yale School of Music

It feels natural that Erin Morley’s first solo album, Rose in Bloom, should be nature-themed. She commands great versatility with her crystal-crisp voice, which sometimes resembles a richly filigreed silver flute, other times the ethereal otherworldliness of a glass harmonica.

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Highlights of the Met’s 2024-25 Season
Violette Leonard Violette Leonard

Highlights of the Met’s 2024-25 Season

On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.

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