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Met Opera 2024-25 Review: Ainadamar
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Ainadamar

“That. Was. Glorious,” an anonymous voice behind me gushed when the curtain dropped. Indeed, Ainadamar’s genre-bending combination of great voices, historical elegy, and explosive flamenco dancing is unlike anything I’ve ever seen.

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Met Opera 2024-25 Review: Les Contes d’Hoffmann
Review Violette Leonard Review Violette Leonard

Met Opera 2024-25 Review: Les Contes d’Hoffmann

Jacques Offenbach‘s Les Contes d’Hoffmann is opera’s equivalent of The Tortured Poets Department, only 14,592 times better. The music brims with kaleidoscopic vibrancy and the story of Hoffmann’s three loves is delightful, though dizzyingly strange at times. 

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Met Opera 2023-24 Cinema Review: Carmen
Violette Leonard Violette Leonard

Met Opera 2023-24 Cinema Review: Carmen

This was one of the best-sung Carmens in recent memory, vocally stupendous and visually thoughtful, with Carrie Cracknell offering a much-needed modern critique of the power imbalance between men and women.

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