Blog
An Interview With Erin Morley
Recently, internationally acclaimed coloratura soprano Erin Morley has been piling on triumph after triumph. Erin released her first solo album this April, the floral-themed Rose in Bloom. She kindly spoke to me about her album, feminizing roles, skydiving, and more.
Highlights of the Met’s 2024-25 Season
On February 23, the Met Opera announced their 2024-25 season. Notably for nitpicky me, I’m excited for almost everything. It was difficult to choose, but here are the five shows I’m most looking forward to.
Met Opera 2023-24 Cinema Review: Carmen
This was one of the best-sung Carmens in recent memory, vocally stupendous and visually thoughtful, with Carrie Cracknell offering a much-needed modern critique of the power imbalance between men and women.
An Interview With Kathryn Lewek
Though Kathryn Lewek is undoubtedly best known as the definitive Queen of the Night in Die Zauberflöte, she has far more roles and range up her sleeve than just Mozart’s imperious monarch.
Cinematic Adventures: Il Trovatore (2010-11)
Every summer, the Met tries to ease our cravings with four HD cinema broadcasts from seasons past. I haven’t been to the cinema since COVID struck, but the idea of Verdi’s riveting Trovatore was too much to resist.
Met Opera Radio Review: Norma
Hell hath no fury like a woman scorned.
Sonya Yoncheva sang magnificently, by turns gentle, passionate, ferocious, and devout.